Marv Goldberg's R&B Notebooks - PARAGONS
Music Reviews: The Paragons Meet The Jesters by The Paragons And The Jesters released in via Winley Records. PARAGONS JESTERS - The Paragons Meet The Jesters - immobilier-haute-garonne.info Music. Jesters Paragons Format: Audio CD. out of . See all 22 customer reviews. PARAGONS MEET THE JESTERS (CD ) Dig the Paragons immortal Florence and the Jesters' version of The Wind plus original cover! Product Reviews.
The record is pure smooch music, a back-seat anthem. It is vocal magic from its wordless intro to the final guitar chord two minutes and 41 seconds later. The record is also a major argument against those who believe that great records require great lyrics. The singer may be asking her to be true right at the end of the song, but even that is far from certain. Nor does it need to be. That guitar chord right at the end — an interesting inversion — is almost startling.
In truth, Clowney was more talented than it seemed. Unfortunately, the lead vocal seems to grow in power as the record progresses. That makes for a powerhouse ending but a rather weak beginning.
The real star of the record, though, was Clowney, the piano player. Anybody could play like this. I sure could, and all I owned was a guitar. The man barely knew his way around the instrument and played in a painfully simple style.
But that style was totally engaging and contagious.
The Paragons Meet The Jesters – My Dad's Albums
Times were changing fast. Stick with what you know, folks. He was killed in a motorcycle accident in the s. By the s, the Paragons had become commercial in a rather ordinary way. As many of the recordings on this CD attest, they had been far from ordinary when they started. The Turbans are a somewhat different story. They meet as kids, get noticed locally in this case Philadelphiasign with an indie label Heraldenjoy success early, and spend the next five or six years trying to recapture it with a series of lesser outings on a variety of labels.
This probably overstates the decline. Their releases were almost all credible contenders, and the record labels with the exception of Red Top all had national distribution and major artists under contract. One novelty does not a career make — a sentiment that seems pretty obvious with the hindsight of 50 years. At the time, however, with growing desperation swirling around them, their path may not have been so clear.
Plainly, nobody knew exactly what they were doing.
The Paragons Meet the Jesters
Everyone — from the kids who were writing and singing the songs, to the session men who were getting union scale for three hours work, to the labels who were publishing and releasing these quasi-amateurish hybrids — was feeling his or her way. There really were no rules yet. You might know what was selling this week, but you could lose your shirt releasing a clone a week later.
If a group like the Turbans got off the bus from Philly and wandered into your office, what did you do with them? They may sound great in a small office at Broadway, but what happens in the studio? Its flip was the mistitled "The Vows Of Love.
The Paragons Meet the Jesters - The Jesters, The Paragons | Songs, Reviews, Credits | AllMusic
This was another pairing featuring Julius on one side and Ben on the other. From the cool "motorcycle gang" cover to the dueling sounds of the Paragons and the Jesters, the platter had "hit" written all over it.
By October it was Cosnat's biggest selling album. In earlythe Paragons were scheduled for a recording session with Winley, but there was a big snowstorm and only Mack and Al Brown showed up. Since the resultant tunes "Kneel And Pray," "Just A Memory," and "Florence, Don't Leave Me" have a group although a very understated oneWinley might have come up with some other singers or ended up doing some creative overdubbing.
In fact, Winley himself could sing, and may be on them. Whoever the personnel, the songs weren't released for a couple of years. Finally, they realized that things weren't going well. All of them, except Mack, were unhappy with Winley. Mack was loyal to him and, as a consequence, there was some infighting.
In spite of their feelings towards Winley, they continued to record for him a while longer. With Bill Witt in the lead, they recorded "Don't Cry Baby" the tune that the Orioles had donebut it wasn't released at the time. Bill Witt didn't remain too long, being replaced by second tenor Neville "Buddy" Payne, formerly of the Continentals. Issued around Aprilit was their last Winley release. Buddy Payne didn't last very long either, and soon they had a new lead: Buddy had recently been discharged from the Marines.
After his short stint with the Paragons, he re-enlisted and ended up a general in the Marine Corps Reserves. Amazingly, another member of the Continentals, John "Peanut" Jones, ended his army career as a general too.
First tenor Ricky Jackson also left sometime in the spring of ; his replacement was John May. Both Moore and May were neighborhood acquaintances.
Bass David Outlaw was another defection, and Al Brown returned for a while at least long enough to have some photos taken with the new members. However, he soon left again, and, for the rest of their recording career, the Paragons were a quartet with no bass: This group started off by recording what was probably their last side for Winley, the unreleased "Thinking Of You" led by Alan. At this point, the Paragons finally broke away from Paul Winley for good and teamed up with Andy Leonetti.
Someone recommended him to the guys and they went up to see him.
The Fabulous ’50s!: Who wins the battle of the doo-wop groups— Turbans or Paragons?
They talked and he signed them, without even an audition. He was also to be their manager over the next few years. It was issued, with the same number, on three of Leonetti's labels: Musicraft in JulyMusictone a bit laterand Musicnote in The top side was led by Alan Moore, the flip by John May. Remember those masters that had been recorded in the snowstorm? This was either a reaction to the small success of "If" or possibly Winley was talked into it by Julius McMichael, who, by this time, had started calling himself "Mack Starr.
After that, he relocated to California and, injoined the Olympics. He remained with them for 15 years, until being killed in a motorcycle accident in June, Two old Winley masters were issued on the Times Square label in March This time, they were on the Music Clef label.
Leonetti certainly had definite ideas about naming labels! This group had lots of gigs in the Catskill Mountains, in upstate New York a resort center with many hotels. By this time, however they rarely, if ever, sang Paragons songs. Their repertoire consisted of standards, as well as tunes by Ray Charles and the Isley Brothers. Finally, inBen Frazier, who along with Donald Travis had been with the group since its inception, left to get married.
John May kept the group together for a short time after this, but it pretty much signaled the end of the Paragons.